Đánh giá sel 18-200 le năm 2024
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Sony E 18-200mm OSS LEAPS-C E-Mount (2012-)Sony E 18-200mm f/3.5-5.6 OSS LE (APS-C, 62mm filters, 16.2 oz./461g, 1.6'/0.5m close focus, $798). bigger. I'd get mine at Adorama, at Amazon, at B&H or at Crutchfield. This 100% all-content, junk-free website's biggest source of support is when you use those or any of when you get anything, regardless of the country in which you live. Sony does not seal its boxes in any way, so never buy at retail or any other source not on since you'll have no way of knowing if you're missing accessories, getting a defective, damaged, returned, store demo or used lens. Buy only from the for the best prices, service, return policies and selection. Thanks for helping me help you! Ken. March 2019 Sony Zeiss Nikon Canon Fuji LEICA All Reviews Sample ImagesThese are all shot hand-held as Standard JPGs; no RAW or FINE JPGs or tripods were used or needed. Orange Tree, 13 March 2019. Sony A6400, Sony 18-200mm at 107mm, f/16 hand-held at 1/30 at ISO 100, Perfectly Clear. bigger or full-resolution. Canary Palm, 13 March 2019. Sony A6400, Sony 18-200mm at 32mm, f/11 hand-held at 1/13 at ISO 100, Perfectly Clear. bigger, full-resolution or camera-original © file. IntroductionThis Sony E 18-200mm OSS LE is a small, wide-range zoom that does just about everything, and it's light enough to carry everywhere all day, every day. This 18-200 covers a huge zoom range, focuses very close, focuses fast and nearly silently, and has optical stabilization so I can hand-hold it in any light on any Sony camera. This is the newest LE model 18-200. It's identified by the "LE" and its smaller 62mm filter size. There was an older 18-200mm that came out in 2010 that's bigger, silver-gray and takes larger 67mm filters. I'd get my 18-200 LE at Adorama, at Amazon, at B&H or at Crutchfield. GoodBadMissingSony 18-200mm. bigger. FormatI'd get my 18-200 LE at Adorama, at Amazon, at B&H or at Crutchfield. This is an APS-C (cropped-sensor) lens. It also works on full-frame cameras, which automatically crop their sensors to APS-C. CompatibilityI'd get my 18-200 LE at Adorama, at Amazon, at B&H or at Crutchfield. This is an APS-C (cropped-sensor) lens that works on all . This includes all the variations of NEX, A9-, A7-, A6xxx and A5xxx series cameras. Full-frame cameras will automatically crop to APS-C. It will not mount on any or any 35mm SLR of any kind. Those use the old A mount which was actually the Minolta MAXXUM mount from 1987. SpecificationsI'd get my 18-200 LE at Adorama, at Amazon, at B&H or at Crutchfield. NameSony calls this the E 18-200mm f/3.5-6.3 OSS LE: E: E-mount. OSS: Optical Steady Shot (Image Stabilization). LE: Newer, smaller version of the older E 18-200mm. Sony's model number: SEL18200LE. OpticsSony 18-200mm optical construction. Aspherical and ED extra-low dispersion elements. 17 elements in 13 groups. Four Aspherical elements. Two ED extra-low dispersion elements. Internal focus. Front section moves in and out as zoomed. DiaphragmSony 18-200mm. bigger. 7 rounded blades. Stops down to f/22-40. Focal Length 18-200mm. When used on APS-C, it sees the same angle of view as a 28-300mm lens sees when used on a full-frame camera. See also Crop Factor. Angle of View 76º ~ 8° diagonal on APS-C. AutofocusInternal focus. No external movement as focused, so no air or dust is sucked in. Close Focus1.64 feet (0.5 meters). Maximum Reproduction Ratio1:3.7 (0.27×). Optical StabilizerYes. Filters62mm plastic thread. HoodSony ALC-SH124 hood for 18-200mm. bigger. ALC-SH124 hood included. Size2.68" maximum diameter × 3.82" extension from flange. 68 mm maximum diameter × 97.1 mm extension from flange. Weight 16.246 oz. (460.6 g) actual measured weight. Rated 16.3 oz. (460 g). IncludedLens (SEL18200LE). ALC-F62S front and ALC-R1EM rear cap. ALC-SH124 hood. Announced2012. Sony Model NumberSEL18200LE. Price, USA$798, March 2019. PerformanceI'd get my 18-200 LE at Adorama, at Amazon, at B&H or at Crutchfield. OverallThis Sony 18-200mm is small and versatile, with a huge zoom range, fast, close focus and a great optical stabilizer. AutofocusAutofocus is fast and almost silent. BokehBokeh, the feel or quality of out-of-focus areas as opposed to how far out of focus they are, is pretty crummy. This is a slow lens so nothing gets that far out of focus, and when it does, it looks rougher than with other lenses. Here are photos from headshot distance wide-open: Davis 6250 weather station, 13 March 2019. bigger or camera-original © file. Davis 6250 weather station, 13 March 2019. bigger or camera-original © file. Davis 6250 weather station, 13 March 2019. bigger or camera-original © file. Davis 6250 weather station, 13 March 2019. bigger or camera-original © file. Davis 6250 weather station, 13 March 2019. bigger or camera-original © file. For the softest backgrounds shoot at 200mm and f/6.3 and get as close as possible. Focus BreathingFocus breathing is the image changing size as focused in and out. It's important to cinematographers because it looks funny if the image changes size as focus gets pulled back and forth between actors. If the lens does this, the image "breathes" by growing and contracting slightly as the dialog goes back and forth. The image from the Sony 18-200mm LE gets a little smaller as focused more closely. DistortionAs shot on modern Sony cameras this lens has no visible distortion. Even if you go out of your way to turn off the automatic correction, it only has visible pincushion around 100mm and a lot of barrel distortion at 18mm — but leave distortion correction at its default of ON and there is nothing visible. Here are some measurements for more critical use: At 10'/3m Correction factor to use with images made with correction ON in A6400 Correction factor to use with uncorrected images 18mm +1.0 +6.0* 35mm ±0.0 -1.0 50mm ±0.0 -1.5 70mm -1.0 -1.5 100mm ±0.0 -2.5 200mm ±0.0 -1.5 © 2019 KenRockwell.com. All rights reserved. * Minor waviness remains after this correction. ErgonomicsSony 18-200mm at 18mm. bigger. Sony 18-200mm at 18mm. bigger. Sony 18-200mm at 200mm. bigger. Sony 18-200mm at 200mm. bigger. The front half of the barrel is the zoom ring. The electronic focus ring is usually ignored depending on camera settings. No worries, here; this little lens handles great. FalloffFalloff is invisible with the camera's default "Shading Correction" ON. I've greatly exaggerated it here by shooting pure gray and displaying it against more gray. It won't look this bad in actual photos: Sony 18-200mm falloff on an A6400, correction ON. f/8 f/11 18mm 50mm 100mm 200mm © 2019 KenRockwell.com. All rights reserved. Even if you go out of your way to turn correction off and then go looking for falloff, there isn't any except wide-open at the 18mm and 200mm ends. This is excellent performance: Sony 18-200mm falloff on an A6400, correction OFF. f/8 f/11 18mm 50mm 100mm 200mm © 2019 KenRockwell.com. All rights reserved. Filters, use withThere's no need for thin filters. I can stack a few regular 62mm filters with no vignetting. Go ahead and use your standard rotating polarizer and grad filters. Flare & GhostsThere is no significant flare and only negligible ghosting. It's less than I'd expect in a super zoom, so this is great. Also see samples at . Lateral Color FringesThere are some color fringes as shot on Sony cameras, even with correction turned on. It's worse than most other lenses, but only visible under a microscope so don't worry about it. Macro PerformanceMacro gets very close, and it's very sharp, too. This is shot at 200mm wide-open at f/6.3: Casio G-Shock Solar Atomic Watch at close-focus distance, 12 March 2019. Sony A6400, Sony 18-200mm at 200mm wide-open at f/6.3 at 1/500 at ISO 100. bigger or camera-original © file. 1,200 × 900 pixel crop from above. bigger or camera-original © file. The texture you're seeing is on the watch face, and zero depth-of-field at this distance is why the hands and left side aren't in focus. If this 1,200 × 900 pixel crop is about 6" (15cm) wide on your screen, then the complete image printed at this same extreme magnification would be about 20 × 30" (50 × 75cm). If this 1,200 × 900 pixel crop is about 12" (30cm) wide on your screen, then the complete image printed at this same extreme magnification would be about 40 × 60" (1 × 1.5 meters). Maximum AperturesMaximum Aperture 18mm f/3.5 35mm f/4.5 50mm f/5.6 70mm f/5.6 100mm f/6.3 200mm f/6.3 Mechanical QualitySony 18-200mm. bigger. This Sony 18-200mm is plastic on the inside and plastic and metal on the outside. HoodPlastic bayonet. Front BumperNone. Filter ThreadsPlastic. Hood Bayonet MountPlastic. Front BarrelsPlastic. Zoom RingRubber-covered anodized aluminum. Mid Barrel ExteriorAnodized aluminum. Focus RingPlastic. Zoom Lock SwitchPlastic. Rear Barrel ExteriorAnodized aluminum. IdentityPrinted around front lens element, also on a sticker and engraved on the barrel near the mount. InternalsSeem like plastic. Dust Gasket at MountNo. MountChromed metal. MarkingsPainted around front element. Other markings laser-engraved. Serial NumberSticker glued on bottom of the barrel. Date CodeNone found. Noises When ShakenModerate rattling. Made inChina. SharpnessLens sharpness has nothing to do with picture sharpness; every lens made in the past 100 years is more than sharp enough to make super-sharp pictures if you know what you're doing. The only limitation to picture sharpness is your skill as a photographer. It's the least talented who spend the most time worrying about lens sharpness. Skilled photographers make great images with whatever camera is in their hands; I've made some of my best images of all time with an irreparably broken camera! Most pixels are thrown away before you see them, but camera makers don't want you to know that. As you can see at the it's easy to make sharp pictures with this lens, but if you're a dork who just looks at your pictures at 300% on your computer instead of instead of printing and displaying them, this lens isn't as sharp as others. This is a lens for people with lives and friends who go places and take interesting pictures; it's not a lens for . MTF at 18mm. f/3.5 and f/8, 10 and 30 cyc/mm. MTF at 135mm. f/6.3 and f/8, 10 and 30 cyc/mm. Image Stabilization (OSS)Optical Image Stabilization (OSS or Optical Steady Shot) works extremely well. "Percent Perfectly Sharp Shots" are the percentage of frames with 100% perfect tripod-equivalent sharpness. Hand tremor is a random occurrence, so at marginal speeds some frames will be perfectly sharp with others in various stages of blur — all at the same shutter speed. This rates how many shots are perfectly sharp, not how sharp all the frames are. OSS ON% Perfectly Sharp Shots 1 1/2 1/4 1/8 1/15 1/30 1/60 18mm 30 75 90 90 100 100 100 50mm 0 5 30 75 80 100 100 100mm 0 0 17 75 75 100 100 200mm 0 0 0 5 67 100 100 I get a real two to three stops improvement over what I can handhold with OSS OFF: OSS OFF% Perfectly Sharp Shots 1/4 1/8 1/15 1/30 1/60 1/125 1/250 18mm 0 10 67 80 100 100 100 50mm 0 0 5 75 83 100 100 100mm 0 0 0 33 83 100 100 200mm 0 0 0 0 0 83 100 SunstarsThe rounded 7-blade diaphragm of this 18-200mm makes soft 14-pointed sunstars on brilliant points of light only at the smallest apertures. Click any to enlarge: Click any to enlarge. RecommendationsThis Sony 18-200mm does just about everything. You also might consider the 18-135mm, which zooms much less far but is even smaller, lighter and less expensive. Both are about the same in the laboratory for optical quality. If you're considering it, you'll love it — especially when you feel how light and tiny it is and see your own great pictures. I'd get my Sony E 18-200 OSS LE at Adorama, at Amazon, at B&H or at Crutchfield. I use a clear (UV) protective filter instead of a cap. I only use a cap when I throw this in a bag with other gear, otherwise I leave a clear protective filter on my lens at all times instead of a cap so I'm ready to shoot instantly. The very best protective filter is the Hoya multicoated HD3 62mm UV which uses hardened glass and repels dirt and fingerprints. For less money, the B+W 62mm 010 is an excellent filter, as are the multicoated version and the basic multicoated Hoya filters, but the Hoya HD3 is the toughest and the best. Filters last a lifetime, so you may as well get the best. The Hoya HD3 stays cleaner than the others since it repels oil and dirt. This junk-free website's biggest source of support is when you use those or any of when you get anything, regardless of the country in which you live. Sony does not seal its boxes in any way, so never buy at retail or any other source not on since you'll have no way of knowing if you're missing accessories, getting a defective, damaged, returned, store demo or used lens. I use the stores I do because they ship from secure remote warehouses where no one gets to touch your new lens before you do. Buy only from the for the best prices, service, return policies and selection. Thanks for helping me help you! Ken, Mrs. Rockwell, Ryan and Katie. © Ken Rockwell. All rights reserved. Tous droits réservés. Alle Rechte vorbehalten. Help Me Help YouI support my growing family through this website, as crazy as it might seem. The biggest help is when you use any of when you get anything. It costs you nothing, and is this site's, and thus my family's, biggest source of support. These places always have the best prices and service, which is why I've used them since before this website existed. I recommend them all personally. If you find this page as helpful as a book you might have had to buy or a workshop you ma have had to take, feel free to help me continue helping everyone. If you've gotten your gear through one of my or helped otherwise, you're family. It's great people like you who allow me to keep adding to this site full-time. Thanks! If you haven't helped yet, please do, and consider helping me with a gift of $5.00. As this page is copyrighted and formally registered, it is unlawful to make copies, especially in the form of printouts for personal use. If you wish to make a printout for personal use, you are granted one-time permission only if you PayPal me $5.00 per printout or part thereof. Thank you! Thanks for reading! Mr. & Mrs. Ken Rockwell, Ryan and Katie. Home Donate New Search Gallery Reviews How-To Books Links Workshops About Contact |
