Panasonic digital cameras lumix lx3 đánh giá

The Lumix DMC-LX3 is the third compact digital camera from Panasonic to offer a 16:9 ratio image, following on from the original LX1 model that was released back in 2005 and the LX2 in 2006. The Panasonic LX3 additionally offers more conventional 3:2 and 4:3 ratio images via a switch on the lens barrel. Other improvements on the Panasonic DMC-LX3 include a brand new 10 megapixel, 1/1.63-inch CCD sensor, Venus Engine IV image processor, 3.0-inch LCD screen with a 3:2 aspect ratio and 460K dot resolution, and extended ISO range (80-3200). The Panasonic LX3 also has a wealth of options that will appeal to the more serious photographer. It features a 2.5x, 24-60mm wide-angle lens with a bright maximum aperture of F/2.0 at the 24mm setting, optical image stabilizer, full range of manual exposure controls, compact all-metal body, 2.5fps continuous shooting and support for both JPEG and RAW image formats. Panasonic have certainly made some bold claims about the LX3, stating that it offers "the highest image quality in compact camera history". And with a hefty price-tag of �399 / $499.95, you'd expect the LX3 to be near the mark. So does the Panasonic Lumix DMC-LX3 significantly improve on the popular LX2 model, and is it the right compact digicam for you? Carry on reading the World's first online review to find out...

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It all started when Hamish wrote this article The Rise of the Vintage Digital Camera back in March 2022. After a bit of extra research into the LX3 including this YouTube video three days later it was ordered from your favorite auction site. Did I need it, no, but for £50 I thought why not.

It came in the classic setup you see all the time with these old point and shoot cameras, small carry bag, mini tripod and extra bits and pieces. Turned it on all working just a faint electrical whine which it does not make when in the playback menu so maybe it’s just the image stabilization. The original battery was trying it’s best but extra ones were needed.

Out of camera jpeg with shadows raised in post

Now this was not my first point and shoot camera, for the last couple of years I have been carrying around a Sony HX80, but not really for it’s photographic capabilities, more as a compositional tool. You see I’m the kind of photographer that keeps the camera in the bag until I see something, setup the tripod and camera then put it all away again walk 50 metres and do it all again. With the Sony’s 24-720mm focal length I was covered for pretty much all eventualities and even though it only shoots Jpeg I was surprised by some of my shots.

So why move to the LX3 from the Sony – it’s 10 years older, has 8 less mega pixels and a vastly reduced focal range of 24-60mm. I’m not really sure, there was just something that appealed with what Hamish had said about limitations such as the reduced dynamic range being something that could add to the image rather than take something away (although I am still careful to watch my highlights – old habits and that).

Even though the LX3 was older it did still have some things up its sleeve. The slightly bigger mythical CCD sensor, a much faster lens and a different colour science to the Sony (more on that later) and in some circumstances the jpegs do have a more filmic presentation. I also like the multi aspect ratio sensor implementation Panasonic has used. Basically they put in a larger sensor than needed so whichever aspect ratio you are in it’s always cropping in on the sensor, it does bake that aspect ratio choice into the raw file though.

16:9 Mode at 24mm equivalent straight out of camera jpeg

Out in the field, well what can you expect? In sunny conditions the screen’s not very good and live view with a CCD sensor introduces all kinds of purple flares with bright light sources (they do not appear in the photos) so it’s a bit hit and hope sometimes. But checking the photos on the computer that’s when it impressed me. The level of detail and noise levels are just was not I was expecting from a 14 year old 10 megapixel camera.

Slight levels adjustment applied to jpeg in post

Shoot jpeg or raw? Well they both have their pros and cons depending on how you see it, so why not kill two two birds with one stone and let the camera take both and decide later. Please note the following only applies if you are using Capture One the difference in Lightroom are negligible. What can I say sometimes I prefer the colours in the jpeg, sometimes in the raw. Raw files definitely have the edge when it comes to sharpness and can save a blurry jpeg.

Jpeg on the left raw file on the right

The above photo also leads me into another plus but this goes for all smaller sensor cameras: depth of field is much deeper. After taking this with the LX3 I then took the same composition with my Sony A7 and Tamron 35mm F2.8 macro 0.5x. With the latter comes the need to focus bracket and to be honest the LX3 photo is good enough that I just can not be bothered with the faff.

So after the 8 months of using the LX3 in conjunction with the “proper camera” I would happily take the LX3 out as my only camera and would definitely recommend it if you are looking for a decent small carry everywhere camera. The current digicam trend has pushed up the prices but you can still get them from around £50 if you don’t mind waiting for a good deal.