Hướng dẫn tải adobe premiere Informational năm 2024
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Learn about the latest video, audio, and still-image formats that are supported by Adobe Premiere Pro. Show
Some filename extensions—such as MOV, AVI, and MXF denote container file formats rather than denoting specific audio, video, or image data formats. Container files can contain data encoded using various compression and encoding schemes. Premiere Pro can import these container files, but the ability to import the data that they contain depends on the codecs (specifically, decoders) installed. Supported sequence, still image, and movie sizesSequence size Video and still-image files you want to import must not be more than the maximum dimensions allowed. The maximum sequence frame size in pixels is 10,240×8,192 (width x height). If you attempt to set one of the Frame Size dimensions higher than this limit in the Sequence Settings dialog box, Premiere Pro resets the value to the maximum. Still image and movie size The maximum frame size to import still images and movies is 256 megapixels, with a maximum dimension of 32,768 pixels in either direction. For example, an image that is 16,000×16,000 pixels is acceptable, as is one that is 32,000×8,000, but an image that is 35,000×10,000 pixels cannot be used. Supported native video and audio formats for importAdobe Premiere Pro supports several audio and video formats, making your post-production workflows compatible with the latest broadcast formats. Format Details 3GP, 3G2 (.3gp) Multimedia container format AAC Advanced Audio Coding AIFF, AIF Audio Interchange File Format Apple ProRes, ProRes HDR, ProRes RAW Apple video compression format. Apple ProRes is a high-quality codec and is widely-used as an acquisition, production and delivery format. Adobe has collaborated with Apple to provide editors, artists, and post-production professionals with comprehensive ProRes workflows for Premiere Pro and After Effects. Support for ProRes on macOS and Windows streamlines video production and simplifies final output, including server-based remote rendering with Adobe Media Encoder. ASF NetShow (Windows only) ASND Adobe Sound Document AVC-Intra Panasonic codec AVI (.avi) DV-AVI, Microsoft AVI Type 1 and Type 2 BWF Broadcast WAVE format CHPROJ Character Animator project file CRM Canon Cinema RAW Light (.crm) files created by cameras such as the Canon EOS C200 DNxHD Supported in native MXF and QuickTime wrappers DNxHR DNxHR LB, DNxHR SQ, DNxHR TR, DNxHR HQ, and DNxHR HQX DV Raw DV stream, a QuickTime format GIF Animated GIF H.264 AVC Various media that use H.264 encoding HEIF High Efficiency Image Format (HEIF) capture format supported on both Mac OS 10.13 or higher, and Windows 10 (version 1809 or higher). On Windows, both the HEIF image extension and the HEVC Video Extension need to be installed. For information on HEIF image and HEVC Video extensions, see HEIF Image Extensions and HEVC Video Extensions. HEVC (H.265) H.265 media with resolutions up to 8192*4320 M1V MPEG-1 Video File M2T Sony HDV M2TS Blu-ray BDAV MPEG-2 Transport Stream, AVCHD M2V DVD-compliant MPEG-2 M4A MPEG-4 audio M4V MPEG-4 video file MOV QuickTime format MP3 MP3 audio MP4 QuickTime Movie, XDCAM EX MPEG, MPE, MPG MPEG-1, MPEG-2 MTS AVCHD MXF Media eXchange Format. MXF is a container format that supports:
Not all QuickTime codecs are supported by default. Some codecs require third-party components. Supported native camera formatsPremiere Pro lets you work with a wide range of native media formats from the latest DSLR cameras without transcoding or file rewrapping. The media formats listed here are supported for directly importing and editing with Premiere Pro. The required codecs are built in to Premiere Pro, and supported on both Mac OS and Windows systems unless stated otherwise. Premiere Pro provides built-in support for the ARRI AMIRA camera, with appropriate color LUTs applied as master clips on import. Premiere Pro supports ARRIRAW and ProRes files from the ARRI ALEXA 35 camera. Premiere Pro provides the ability to import ALEXA LF (Large Footage) file format. You can work natively with Canon XF and Canon RAW footage, including footage from Canon Cinema EOS C300, C500, EOS R5, and EOS-1D X Mark III cameras. Premiere Pro lets you import and edit QuickTime formats natively including Apple ProRes and MOV files that Canon 5D and 7D cameras capture. You can clip metadata without any transcoding, rewrapping, or logging and transferring required. Premiere Pro lets you import and edit uncompressed CinemaDNG media from the following cameras:
When working with CinemaDNG media, you can access the Source Settings and edit the metadata parameters. CinemaDNG can be debayered on a supported GPU for extreme playback performance. You can native import and edit media from the following cameras/camera codec formats:
You can also view Panasonic Camera acquisition metadata in Premiere Pro's Metadata panel. This provides an easier starting point for grading. The following metadata fields are now available for supported Panasonic cameras:
You can natively import and edit Phantom Cine media shot on Vision Research Phantom cameras. Premiere Pro supports working natively with RED Digital Cinema (R3D) footage from the following cameras & codec formats:
RED format clips use the GPU (OpenCL and CUDA) for debayering for an improved and faster playback performance. You can import and edit media from the following cameras directly without rewrapping or transcoding:
You can browse the imported clips using the Media Browser and organize them using camera metadata. Supported still‑image and still-image sequence file formatsPremiere Pro supports 8bpc (4 bytes per pixel) and 16bpc (8 bytes per pixel) still-image files. Format Details AI, EPS Adobe Illustrator BMP, DIB, RLE Bitmap DPX Cineon/DPX EPS Adobe Illustrator GIF Graphics Interchange Format ICO Icon File (Windows only) JPEG JPE, JPG, JFIF PNG Portable Network Graphics PSD Photoshop PTL, PRTL Adobe Premiere title TGA, ICB, VDA, VST Targa TIFF Tagged Interchange Format Supported closed captioning and subtitle file formatsFormat Details DFXP Distribution Format Exchange Profile MCC MacCaption VANC SCC Scenarist Closed Caption File SRT Subrip Subtitle format STL EBU N19 Subtitle File XML W3C/SMPTE/EBU Timed Text File Supported video project file formatsFormat Details AAF Advanced Authoring Format AEP, AEPX After Effects project CHPROJ Character Animator Project CSV, PBL, TXT, TAB Batch lists EDL CMX3600 EDLs PREL Adobe Premiere Elements project (Windows only) PRPROJ Premiere Pro project XML FCP XML Support for growing filesPremiere Pro supports growing files for those needing this workflow. Growing files are files that are still being written to disk and will grow in duration after they are ingested. These files automatically refresh their duration based on a preference you can set in Premiere Pro. Supported codecs for growing files within an MXF wrapper
Support for growing files to automatically refresh, and how often they must refresh, is available in Media Preferences. The updated duration can be viewed in the Project panel and the Source Monitor. The refreshed duration is also available for editing in the Timeline. See Media Preferences for more details. Growing files can only be imported if Premiere Pro can read the volume where they are stored. Premiere Pro can read footage from an unc path("//somewhere/something"), but the drive must be mapped("H:\somewhere\something"). The file can then be imported using the File > Import command. You can then edit with these clips as you would normally edit any other clip. Support for Variable Frame Rate filesVariable Frame Rate (VFR) is a video compression term that refers to the format of videos where the frame rate changes actively during video playback. Most videos created using mobile devices (such as iOS and Android), and e-learning applications (such as ScreenFlow, or Twitch) are of VFR format. Detect VFR footage in Premiere ProSelect the footage, and click File > Get Properties for > Selection. Premiere Pro indicates if it detects VFR footage. Alternatively, you can right click the clip in the Timeline panel and select Properties. Properties panel in Premiere Pro indicating VFR footage Preserve audio sync for Variable Frame Rate footageYou can incorporate variable frame footage from devices such as mobile phones and the DJI Phantom without having to adjust the audio-video sync manually. |
