Olympus pen e-pm2 đánh giá năm 2024
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Olympus Pen E-PM2 Review: Poor Olympus. They seem to be a company that are always climbing a mountain but never near reaching the top. Fortunately, they do seem to gather and procure a very committed crowd of photographers that buy their equipment. There are some very good reasons for that, especially these days. But before I get off on a tangent- I'm not here to talk about the company as a whole. Well, not directly at least. Recently I've come to acquire the little Olympus Pen E-PM2. This is a camera that many of my readers may think I'd not be interested in considering that I love myself a camera with a ton of external controls. We'll to them I say: sometimes there is more to a camera than meets the eye. More... Olympus E-PM2- Who Needs A Lens? What initially interested me in the E-PM2 is its Sony manufactured 16mp sensor, small size, and good price. I like small cameras that can do a lot, as well as bigger cameras that can do a lot more. Small cameras have just as an important place in my daily use as big cameras do, but for different reasons obviously. Features I look for in a small camera? Small size, excellent image quality, useable controls, and versatility without much sacrifice compared to larger cameras. While the E-PM2 was not my first choice (hello, it's been out for well over 2 years now), the idea of buying and shooting with one eventually made sense after I read more research on it. So that's what I did. The E-PM2 had a few must items, and seemed to check off a list of even more features that I don't require for a small camera too. And all for a very reasonable price in a small case. "Hmmm, ok" I thought, lets try it out. Olympus E-PM2- Buy It? Olympus Pen E-PM2 Review: Set Up and Shooting Experience First things first, the camera must feel comfortable in my hand. If I'm going to shoot with a camera I better like holding it. The small grip on the E-PM2 on the front, with the thumb rest on the back, make for secure and comfortable one hand holding shooting. Check. Although its weight seems a bit off center it's not bad at all and is a nice small comfortable camera to shoot with. Wow, and I can even change lenses with it. The post style camera strap lugs did scare me initially, normally those dig into the shooting hand but Olympus did well here and I found no issues with them, thankfully. The E-PM2 is a comfortable camera to hold. Olympus are anything but consistent with the menu systems they design. Menus are not what I'd call Olympus's strong point in terms of useability. The vastness and expansiveness of them however means that just about everything and the kitchen sink are included for the photographer, even in entry level offerings like the E-PM2. Got to hand it to them for that! With that said, setting up the E-PM2 didn't take near as long as I thought. Maybe it's my experience with so many cameras or whatever, but I didn't find the menus nearly as complicated as many writers make it out to be. It certainly could use some polish, but an hour later I had the E-PM2 all set up with the custom buttons and functions the way I like a camera to be set up. An hour of my time, that's not bad. Surprisingly, I found that a camera that gives the impression of such exterior featurelessness (is that a word?) is much more versatile and capable exterior wise than I had assumed! That's why I prefer to test a camera before I judge it, you never know when you'll be surprised. And the E-PM2 did surprise me in a very good way. I have the buttons and dials and menu system set up for quick access to the most common features and modes I use, with two customizable hard points left over. Not what I expected at all! For example, instead of using the red record button for movies, I set it up to be an AEL lock button. It's in the right place for it, and that is a vital function for my shooting style. The FN button on top, that was set for HDR bracketing initially, but I changed that to EV compensation since the camera doesn't have the capability to stack all the images into one file. Oh well. Any other changes I need to make are assigned to the arrow FN buttons or, I just use the super control panel. Activating the SCP (that is the moniker the camera uses), is tedious but not as hard as I thought. You want me to explain how, right? Ok. First you have to activate the custom menu to show in the main menus, using the tool icon menu. Then go to the custom menu and scroll down to the D sub menu (disp/thingy/pc). Go down to control settings and arrow over to the right and enable the SCP for each of the four shooting parameters you'd like, by again, arrowing to the right. Self explanatory from there. I turned the live guide and live control menus off, just too much clutter/complication for me... for all four shooting parameters. While the setup process is tedious, choice reigns. The photographer is given a lot of menu customization options and free will, i.e. choice, on how to utilize and use the camera- I like that. If you want to keep it simple just shoot in auto and don't complain. Well go ahead and complain, but complain nicely and in such a way that motivates Olympus to listen to you. Menus overall: Olympus just needs to organize the menu system experience more, not cut down on menu options. Doing so will remove one of Olympus's Achilles heels of the system itself. They are probably working on that though, one would think? Bottom line here is that the menu system does not bother this photographer nearly as much as it has bothered some others, and your experience will vary. Once the E-PM2 is set up to your likings, you really don't have to do much further in the menu's unless you want to touch up some settings or experiment. Now after all that... Olympus E-PM2- Black Silver or White Shooting with the E-PM2 is now a very simple experience for me. I prefer aperture priority mode, and all the main controls I need to use can be operated with one handed shooting. Nice. Small cameras ought to be operated with one hand, in all ways, without complication. The E-PM2 delivers here. And if I want to get fancy and use the touch screen to activate autofocus and fire the shutter, I can do that too. It's actually kind of fun to do that- sometimes. With a small lens attached (the 17mm f/2.8 or 20mm f/1.7 Panasonic being my overall choice) the E-PM2 makes a nice quick grab n snap camera for times when I want a small camera with me. The fact that I can changes lenses makes it more versatile than my Ricoh GR, but always slightly more bulky no matter what lens I'm using on it (I'm omitting the lens cap lenses from Olympus mind you). Still, its small enough even with different lenses to serve the role well. It's easy to stick it in a jacket pocket, camelbak (hydration pack), or even pants pocket sometimes. For a small vacation camera, it doesn't sacrifice capability for size. A near perfect little vacation system camera if there ever was one. Olympus Pen E-PM2 Review: Image Quality Image quality is overall- good. Notice I didn't say great or excellent. While many on the net praise the 16mp chip that Sony customized for Olympus, I'm not shouting thank you to the gods for it. Yes, it is indeed an improved chip for Olympus, however, there are three things to keep in mind here that are sobering facts to all the celebration:
At base ISO, dynamic range, color, are very good. This is where I notice and praise the main improvements to its predecessors on image quality. On the whole, an extra 2 stops of dynamic range compared to previous cameras from Olympus is a pretty significant improvement which quite frankly, Olympus was long overdue for. I shoot in raw, so having about 12 stops of DR latitude is plenty for most of my needs. Higher ISO values are improved over first generation Pen cameras, and I'd have no reservations shooting to ISO 5000 (which is really ISO 2500) in this camera. Anything over that I start to notice issues that annoy me in the raw files. That's not to say I won't shoot at higher ISO values, I'll just be more hesitant too than I would with some of my other cameras. Jpegs from this camera are very good as well. Olympus are one of the companies out there that seem to know how to properly process a Jpeg in camera. And while they aren't perfect, they get it mostly right. I'd like to see Olympus shut down noise reduction completely in Jpeg output, since they do offer an "off" setting. It's getting rather irritating to see manufactures still trying to pull the wool over photographers eye's in this respect. Make off OFF, and low LOW. Not hard to do. Art Filters are the best in the business here, although the Cross Processing filter could use some work. I think Ricoh have that nailed. Still, using Olympus cameras- your going to have fun with these filters no matter how serious of a photographer you are. They are just a BLAST to experiment with. I like how Olympus continues to add new filters frequently and most importantly, allowing more and more tweaking options to each filter as time goes on. Bravo, fun stuff! In retrospect, still think that Olympus have a LONG way to go with sensor performance if you take into account the issues I've bulleted above (and agree with me that they are indeed issues). Sony's 1" sensor for example (smaller than the 4/3 sized sensor in the E-PM2), is more densely packed with pixels and smaller. And yet, it still seems to lack the issues I've mentioned above - while producing similar image quality in all other areas as the Pen and OMD cameras. While progress is nice, lets not praise Olympus too much on what is currently being included in their interchangeable lens camera lineup currently. They can and better do better. Olympus Pen E-PM2 Review: Features Well let it be said that the E-PM2 does NOT lack on features. It's PACKED. It's loaded with the following that I've noted: Wifi capability, a touch screen interface, Full HD movie, high speed 8FPS sequential shooting, sensor image stabilization, hi frequency dust reduction, dedicated AF assist lamp, Art Filters, multi-function interface hot shoe (for evfs/flashes/etc), and much more. All in a small unassuming stylish and diminutive case. It's quite the surprise to the advanced photographer, actually. For a photographer that wants a small but capable camera, the E-PM2 is hard to beat features wise. Olympus Pen E-PM2 Review: Conclusion Compact system cameras are here to stay. Olympus has put all bets on CSC's as the way of the future and they make some very nice cameras in their lineup these days. As boring as the initial press release seemed for the E-PM2, it's a camera that has grown on me fast. Most importantly I find it to be a real good value on the market today. In fact I'd go so far to say that it's one of the best deals in terms of price vs. capability out there right now. It's still highly available in most territories too. It's certainly not a camera without its faults, but I found a lot less faults than I assumed I would. This camera surprised me in a kind of humbling way. It's looks are the reason for my assumptions. On the exterior- its a simple (but somewhat stylish) camera that has the look of a boring point and shoot in terms of capability. The truth of the matter here is that what lies underneath the simple casing is a very serious and capable beast, nothing like a dime for a dozen point and shoot camera at all. Shooting with the E-PM2 is quite fun. I love the sound of its snappy shutter (much better than the delayed and strained sound of its predecessors), using its art filters, and working with its Jpegs and Raw files alike. For a small and unassuming looking design, it's a camera that has charisma and charm- but one I'd rely on for serious shooting as well. It reminds me of the underdog that has a vicious bite, and I always like cameras that surprise me like that- they are rare in this industry it seems. While it's image quality is good and meets my needs, its not great. I may get flak for saying that but I've backed up my opinion with some sobering facts that are both on the net and available through testing the camera myself. There are fortunately no deal breakers in the image quality department for me, but just because there aren't any doesn't mean I should be celebrating like it's 1999. Olympus can and should improve image quality in future cameras equipped with Sony sensors. With digital camera sales declining overall globally, camera companies seem to be paying more attention to enthusiast shooters these days (it's about time). I'm seeing more and more cameras with capabilities they should have always had before. Even entry level cameras like the E-PM2 have more capability than the average shooter would ever require. That's not a bad thing at all for most customers. One way of looking at it, is that its better to have more and not less. The Olympus E-PM2 delivers that. A few recommendations for improvement on its successors, etc. :
Olympus E-PM2- Deal With It As always, safe and happy shooting! -Carl Garrard Olympus Pen E-PM2 Review: Manufacturer Specifications Product Type Product type Micro Four Thirds interchangeable lens system camera Memory SD Memory Card*1 (SDHC, SDXC, UHS-I compatible, Flash Air compatible, Eye-Fi Card compatible*2 ) *1: Class 6 or higher is recommended for Movie shooting. *2: Not compatible with Endless Memory. Screen size 17.3 mm (H) x 13.0 mm (V) Lens mount Micro Four Thirds Mount Image Pickup Product type 4/3 Live MOS Sensor Number of pixels / Aspect ratio Number of effective pixels : Approx. 16.1 million pixels. Total number of pixels : Approx. 17.2 million pixels. Aspect ratio : 1.33 (4:3) Dust reduction Supersonic Wave Filter (dust reduction system for image sensor) Recording(Still) Recording format DCF, DPOF compatible / Exif, PRINT Image Matching III, MPO compatible File format RAW (12-bit lossless compression), JPEG, RAW+JPEG, MPO(3D still) Recording image size [RAW] 4608 x 3456 pixels [JPEG] 4608 x 3456 pixels - 640 x 480 pixels File size RAW: 4608(H)x3456(V) (approx. 1/1.5 lossless compressed) Approx. 17MB Set1(LF): 4608(H)x3456(V) (1/4 compressed) Approx. 7.5MB Set2(LN): 4608(H)x3456(V) (1/8 compressed) Approx. 3.5MB Set3(MN): 2560(H)x1920(V) (1/8 compressed) Approx. 1.1MB Set4(SN): 1024(H)x768(V) (1/8 compressed) Approx. 0.3MB Image Stabilization System Type Built-in (Imager shift image stabilizer*3) *3: yaw/pitch Mode 3 modes (S-I.S.1, S-I.S.2, S-I.S.3), OFF Focal length setting Available Available manual focal length setting Input focal length : 8, 10, 12, 15, 16, 18, 24, 28, 30, 35, 40, 48, 50, 55, 65, 70, 75, 80, 85, 90, 100, 105, 120, 135, 150, 180, 200, 210, 250, 300, 350, 400, 500, 600, 800, 1000 Stabilization performance maximum 3 EV steps*4 *4: Based on Olympus in-house measurement conditions. Shutter speed range 2 - 1/4000 sec. (Not available when Bulb is selected.) Live View Live view Approx. 100% field of view, Exposure compensation preview, WB adjustment preview, Gradation auto preview, Face detection preview (up to 8 faces), Grid line, Histogram, Magnification display (x5/x7/x10/x14), Highlight and shadow, Off Display of Face Detection Max 8 frames of face detection can be displayed. Monitor Monitor type 3.0-inch wide monitor*8 *8: Approx. 460k dots(16:9), Touch control in electrostatic capacitance Type Touch control Touch shutter release, Touch enlargement, Touch Live Guide, AF area selection, AF area enlargement, Frame forward/backward, Enlargement playback, Touch Super Control Panel, Touch Art Filter selection, Touch scene mode selection, Touch stripe screen (picture mode control) Tilting angle － Brightness / Color temperature control ±7 levels / ±7 levels Color tone select Vivid / Natural Focusing AF system High-speed imager AF Focus mode Single AF (S-AF) / Continuous AF (C-AF)*9 / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) *9 *9: C-AF and AF tracking are not available with non-mFTs lenses. It works as S-AF in C-AF mode. Full-time AF Available Magnified frame AF Selectable from over 800 AF points Enlarged view check by magnify button (available with old lenses*10) Magnification x5, x7, x10(Default), x14 selectable *10: old lenses without data communication Face detection AF / Eye detection AF Available / Available Eye Detection AF mode : Off / Nearer-eye priority / Right-eye priority / Left-eye priority Focusing point / Focusing point selection mode 35-area multiple AF All target, Group target area (9-area), Single target,(normal) Single target(small) AF Illuminator Available Manual focus assist * Customize function Live view image is magnified when the focus ring is rotated. (at S-AF+MF or MF mode) Exposure Control (Still) Metering system (TTL Image sensor metering) Digital ESP metering (324-area multi pattern metering), Center weighted average metering, Spot metering, Spot metering with highlight, Spot metering with shadow Metering range EV 0 - 20 (at normal temperature, 17mm f2.8, ISO 100) Exposure mode iAuto, P: Program AE (Program shift can be performed), A: Aperture priority AE, S: Shutter priority AE, M: Manual, Bulb, Time, Scene select AE, Art Filter, Underwater wide / macro*11 *11: Selectable from menu as a function on Fn-1/Rec button Scene select AE Portrait, e-Portrait, Landscape, Landscape + Portrait, Sport, Night, Night + Portrait, Children, High Key, Low Key, DIS mode, Macro, Nature Macro, Candle, Sunset, Documents, Panorama, Fireworks, Beach & Snow, Fisheye Conv., Wide Conv., Macro Conv., 3D * *Using 3D lens(H-FT012) , still only ISO sensitivity AUTO ISO 200 - 25600 (customizable, Default 200-1600) Manual ISO 200 - 25600, 1/3 or 1 EV steps selectable Exposure compensation ±3 EV in 1/3, 1/2, 1 EV steps selectable AE lock Locked at 1st release of shutter button (can be set to Fn1/Rec button) Shutter Shutter type Computerized focal-plane shutter Shutter speed 1/4000 - 60 sec. (1/3, 1/2, or 1EV steps selectable) Bulb/Time: default setting 8min. (1/2/4/8/15/20/25/30 min. selectable) Flash Flash intensity control method TTL Auto, Auto*13, Manual, super FP*13(FP-TTL AUTO, FP-MANUAL) *13: Available on the external flash Bundled flash*14 TTL flash, GN=7(ISO100・m) / GN=10 (ISO200・m) *14: Bundled FL-LM1. Attach it on the hot shoe and connect it to the accessory port 2. Available on FL-LM1/2. Flash mode Flash Auto, Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual (1/1 (FULL) ～1/64) Synchronization speed 1/250sec. or less*15 *15: It depends on flash models or flash mode FL-LM1/2: 1/250 sec., FL-50R: 1/180 sec., Other: 1/200 sec., Super FP: 1/125-1/4000 sec. Flash intensity control Up to ±3 EV in 0.3, 0.5, 1 EV steps selectable Compatible external flash FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R Wireless Flash Control Compatible external flash FL-50R, FL-36R, FL-300R, FL600R Control method Triggered and controlled by bundled flash FL-LM1*16 *16: Available on FL-LM2/ FL-600R. (Olympus Wireless RC Flash system compatible) External Flash intensity type TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL Channel 4 channels Group No. 4 groups (External flash 3 groups + a bundled flash*17) *17: Available on FL-LM1/2 / FL-600R Drive Drive mode Single-frame shooting, Sequential shooting, Self-timer Sequential shooting maximum speed [Sequential shooting H mode]*18 8.0 fps * in case of "I.S. Off" *18: Focus and exposure are fixed at the values for the first shot. [Sequential shooting L mode] *19 3.6 fps* in case of "I.S. Off" (in 3.5 seq. shooting L) 3.0 fps* in case of "I.S. On" (in 3 seq. shooting L) *19: When using the M.ZUIKO DIGITAL 14-42mmⅡR f3.5-5.6 Max. recordable pictures on sequential shooting * [RAW] Max. 27frames (in 3 seq. shooting L), Max.15 frames (in 8 seq. shooting H) [JPEG] Unlimited consecutive shooting (in 3 seq. shooting L), Max. 19 frames ( in 8 seq. shooting H) * When using the M.ZUIKO DIGITAL 14-42mmⅡR f3.5-5.6. * With TOSHIBA SDHC UHS-I card R95-W80 8GB model, based on Olympus in-house measurement conditions. Self-timer Operation time: 12 sec., 2 sec., custom (Waiting time 1-30sec.,Shooting interval 0.5/1/2/3sec.,Number of shots 1-10) Bracketing Exposure bracketing 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable ISO bracketing 3 frames in 0.3/0.7/1.0EV steps selectable White balance bracketing 3 frames in 2, 4, 6 steps selectable in each A-B/G-M axis. Flash bracketing 3 frames in 0.3/0.7/1.0EV step selectable Art Filter bracketing i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters selectable bracketing for HDR post process 3 or 5 frames in 2.0/3.0EV steps selectable, 7 frames in 2.0EV steps selectable. *HDR picture can not be made by this function. Art Filter Mode (Variation / Effect) Pop Art (I, II / a.b.c.d.e.) Soft Focus ( - / c.e.) Pale & Light Color (I, II / a.b.c.d.) Light Tone ( - / d.) Grainy Film (I, II / b.c.d.f.g) Pin Hole (I, II, III / d.) Diorama ( - / d.) Cross Process (I, II / b.c.d.) Gentle Sepia ( - / a.b.c.d.) Dramatic Tone (I / b.c.d.e) (II / b.c.d.e.f.g) Key Line (I, II / a.b.c.d.e.) Watercolor (I, II / a.c.d.) Art Effect
Movie Recording format MOV (MPEG-4AVC/H.264) , AVI (Motion JPEG) Movie Mode [MOV] Full HD: 1920(H)x1080(V), 30p (29.97fps) Recording 20Mbps (Fine) / 17Mbps (Normal) : Aspect 16:9 HD: 1280(H)x720(V), 30p (29.97fps) Recording 13Mbps (Fine) / 10Mbps (Normal) : Aspect 16:9 [AVI Motion JPEG] HD: 1280(H)x720(V), 30fps *20, Aspect 16:9 SD: 640(H)x480(V), 30fps *20, Aspect 4:3 *20 : Except for some of the Art Filters Maximum Recording Time [MOV] Full HD : Approx. 29min(Normal) / Approx. 22min(Fine) HD : Approx. 29min(Normal) / Approx. 29min(Fine) [AVI] HD : Approx. 7min*21 / SD : Approx. 14min*21 *21 : Except for some of the Art Filters Movie Function Movie Effect : One shot echo / Multi echo / Art fade Art Filter Movie, Aperture priority Movie, Shutter Priority Movie, Manual Shooting Movie IS for Movie Built in (Electronic image stabilizer) 2mode (M-IS1,M-IS2), off, Panasonic OIS lens priority AE Lock Available Exposure control (Movie) P: Program AE, A: Aperture priority AE, S: Shutter speed priority AE, M: Manual, Art Filter * S mode and M mode : Shutter speed is limited in less than 1/30 sec. Compression ratio Motion-JPEG Format : 1/12(HD), 1/8(SD) File size MOV Format : Max 4GB Motion-JPEG Format : Max 2GB Recording(Sound) Recording format Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) Microphone/Speaker Stereo/Mono Microphone function Wind Noise Reduction, Recording Volume Audio dubbing possible for still pictures (up to 30 sec.) White Balance White balance mode Auto WB, 7 Preset WBs, 2 Capture WBs, Custom WB(Kelvin setting) White balance compensation ±7 steps in each A-B/G-M axis * Except for Custom WB Preset white balance 7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K) Color Mode Color matrix sRGB, Adobe RGB Picture Mode Mode i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters Gradation Auto, Normal, High Key, Low Key [except Art Filters] Multi Exposure Number of picture / Function 3 frames / Auto gain, Exposing on Recorded picture (RAW) Multi Aspect Aspect Ratio 4:3(Default) / 3:2 / 16:9 / 1:1 / 3:4 One Push Tele-converter Magnification x2 Playback Playback mode Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x - 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto), Slideshow *(with BGM/BGM+Sound/Sound) * Slideshow : Still/Movie/Still+Movie, When a camera is connected to HDTV with HDMI cable, 3 new slideshow effect can be selectable.(Still) 1 BGM replaceable. Auto angle correction Information display Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF Menu Languages 34 languages selectable : - English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai Reset & custom setting My Set 4 settings recordable Image Editing Editing function RAW development, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Aspect, e-Portrait, Image Overlay, Post recording RAW picture editing RAW development based on settings of the camera(including Art Filter) Detail edit acceptable.(Preview, Memory of 2 setting, re-development) Print function Print reservation (DPOF), Direct print (PictBridge compatible) Input/Output USB/AV/Remote controller connector Dedicated multi-connector [USB: USB2.0 Hi-Speed, Video: NTSC/PAL selectable, Optional Remote cable RM-UC1 can be used.] HDMI connector Micro HDMI (Type-D) Flash attachment Hot shoe Accessory Port 2 Dedicated multi-connector [Available for VF-2/VF-3, SEMA-1, MAL-1 and PP-1.] PC interface USB2.0 Hi-Speed TV interface HDMI (HD/Stereo Sound), VIDEO-OUT(SD/Mono Sound) Power Requirements Battery BLS-5 Li-ion battery (included) Sleep mode Available (1/3/5 min. off selectable) Number of recordable pictures Approx. 360 shots [IS ON, CIPA test standard] (with BLS-5 and TOSHIBA super high-speed Class 6 SDHC 4GB card) Dimensions / Weight Dimensions 109.8 mm (W) x 64.2mm (H) x 33.8mm (D) [CIPA guideline compliant, excluding protrusions] Weight Approx. 269g [CIPA guideline compliant, with BLS-5 battery and Memory card] Approx. 223g [body only] Operating Environment Temperature 0 ~ +40℃ (operation) / -20 ~ +60℃ (storage) Humidity 30 - 90% (operation) / 10 - 90% (storage) Box contents Box contents Body, Flash FL-LM1, Li-ion battery BLS-5, Li-ion battery charger BCS-5, USB cable, AV cable, Shoulder strap, OLYMPUS Viewer 2 (CD-ROM), Instruction manual, Warranty card |
